Womens involvement with medieval music took a physique of forms; they served at times as audience, as participant, as sponsor, and as creator. The evidence for their roles, like that for their priapic contemporaries, is sporadic at best. some melodic sources have been lost, and those sources that do survive only occasionally provide composer attributions. Information on specific performances is virtually non-existent, and the references to musical performan...If you want to get a full essay, order it on our website: Orderessay
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